unseating the networked audience

a proposal by
helen varley jamieson

for a chapter in

networked: a (networked book) about (networked art)


abstract

unseating the networked audience explores the opportunities opened up to artists and audiences through the medium of networked performance, and ushers in the concept of the 'intermedial audience' as a new approach to artist-audience and audience-audience relationships in the networked environment.

The chapter is divided into three sections:

  1. a contextual background to the evolving role of the audience in performance and theatre;
  2. an analysis of the audience's role and responses in different forms of networked performance; and
  3. the 'intermedial audience' as a way to approach to the complexities of the audience in networked performance.
Examples of recent works, artists and technologies are presented in pop-up windows that can be accessed from appropriate places in the chapter. An accompanying online forum is suggested as a means to facilitate discussion and further contributions around the ideas presented in the chapter.

Read the full proposal.

 

keywords

performance, networked performance, cyberformance, audience, intermedial audience, participation, agency, collaboration, avatars, embodiment, storytelling, virtual worlds, open source, presence, liveness, telepresence, mobile phones, CCTV

helen varley jamieson

2 blucher avenue
newtown, wellington 6021
aotearoa/new zealand
+64 4 934 9605 (h)
+64 21 023 92928 (m)
www.creative-catalyst.com
helen@creative-catalyst.com

 

networked writing samples

  • Wikipedia contributions by Frock

Articles I have written for Wikipedia: Furtherfield; UpStage; The Magdalena Project; Odin Teatret.

Articles I have contributed to: Cyberformance; Second Life; MUD; MOO; Internet Art.

Trip The Light Fantastic is "a journal of a great meeting that never happened", by Avatar Body Collision. This collectively-authored blog tells the imagined story of the first-ever meeting of the four members of Avatar Body Collision on a road trip through scenic Taranaki, New Zealand to the the SCANZ residency. For two weeks, we maintained the fiction that Karla (London) and Leena (Helsinki) were with Helen and Vicki at SCANZ. As well as the four Colliders blogging, others contributed to the comments and one was inspired to set up a supplementary blog; in RL, many of the other artists at SCANZ joined in the performance by commenting on the blog, and reporting sightings of and text messages from Karla and Leena.

The blog also documents the activities of the SCANZ residency.