THE ARTIST AGAINST HISTORY
Lecture Jadranka Andjelic, theatre director, Dah Theatre Research Centre, Belgrade
Accompanied by photos, texts and video fragments from the performances
Includes video art work “KALI” by Vesna Tokin and Visual presentation by Antonella Diana.

IN/VISIBLE CITY
Dah Theatre Research Centre 2006
Directors: Jadranka Andjelić & Dijana Milosević 
With: Aleksandra Jelić, Sanja Krsmanović Tasić, Maja Mitić, Maja Grsić, Bojana Djurković, Lidija Milić, Ivana Milenović, Katarina Pavlović, Donka Torov, Ivana Rasić 
Musicians performers:Jugoslav Hadzić, Dragan Simeunović, Branimir Vulić

MINUSCULA
Production by Rocio Perez Solis, Compañía Nomad Teatro, Las Palmas, Spain.
This project consists on an experimental work in the investigation line on new scenic languages. At conceptual level it is spoken of the small thing, of the world of the small things, of the birth of a human life, of the world of the silence, the small noises, what is not said and also of what is not made. Of the millions of our small and more vulnerable people.

Too many millions of girls are being hurt by adults, hit, recruited, violated unknown. They don't have vote, they don't have voice, he/she doesn't have election. It is not sentimentality it is fruit of an observation of the nature of our society, an extremely serious complicity and lacking compassion. The rights of the childhood are closely related with the woman's rights. None will be reached without putting an end to all the discrimination forms, especially the one that is based on the gender. The continuous violation of the rights of the children reflects the mental state of our society.

SHIFTING MIRROR
Production Jadranka Andjelic Project, Dah Theatre Research Centre, Serbia
"Oblivion, can be also, a profound form of memory." – H. L. Borges. This performance explores the shapes of memory and oblivion. Through a cube of Venetian blinds, actors and images appear and disappear. Forgotten photographs come alive through artistic intervention. Performers pass into image and fade. Projected from three sides, the photographic paintings transform the space into a rich field of colours and forms - an untouchable fabric – as our memory which is constantly transforming into oblivion.

THE WATER TEARS TEMPLE
Project of installation at the Teatret OM Festival, Denmark
A mirage in the desert: it is the drips of the divinity water calling us, tearing out whispering listen to her pains. Is a gap to capture the voices of the ones which has no voice.

EXHIBITION
Rinkøbing Kirke, Rinkøbing, Denmark.
August 2006. Participation at the collective exhibition of modern and traditional icon painting.DRØMMESTIER
Production Teatret OM, Denmark.

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